The minimum. Arrive at dawn (5:00–5:30am) for the golden light on the rust without tourists — the most photogenic moment at the cemetery.
The standard itinerary. Sunrise at the cemetery pairs perfectly with breakfast in Uyuni and the start of the Salar tour at midday.
The standard Uyuni tour includes the Train Cemetery as the first stop before the Salar. This way you use the morning light at the cemetery and reach the Salar when the sun is already illuminating the water mirror.
One of the world's most photogenic collections of abandoned industrial machinery. Sunrise transforms it into a film set. Midday turns it into a tourist forge. The choice is obvious.
The Train Cemetery at sunrise is one of Bolivia's great photographic experiences. The orange and gold light of the first sun on the rusted iron creates a visual intensity that the midday or afternoon cannot replicate. Arriving at 5:00–5:30am means you have the cemetery almost entirely to yourself for the first 60–90 minutes — by 8am, tour groups begin to arrive.
The cemetery contains approximately 30 steam locomotives in various states of decay, along with carriages, wagons and equipment. The locomotives were manufactured in Britain (Hunslet Engine Co., Leeds; Kitson & Co.) and imported in the 1890s for the Antofagasta and Bolivia Railway. They served the silver and tin mining routes from the Bolivian altiplano to the Chilean Pacific coast. Mining declined in the 1940s and the locomotives were simply left.
The Train Cemetery cannot be understood without the story of 19th-century Bolivian mining. In the 1880s–1920s, Bolivia was one of the world's largest silver and tin producers. The Antofagasta and Bolivia Railway (owned by a British-Chilean consortium) connected the altiplano mines to the Pacific port of Antofagasta. At the peak, the Uyuni rail hub processed enormous volumes of ore. When ore prices crashed after WWII and production fell, the railway equipment was economically worthless to move.
Decades of graffiti from travellers, locals and artists have added a second layer of visual texture to the rusted locomotives. Some pieces are thoughtfully done — murals that engage with the locomotive forms. Others are simple tags. The combination of industrial decay, oxidised iron colours and painted surfaces creates photographic compositions unlike any prepared gallery. The graffiti is part of the site's identity now.
If you cannot make the sunrise, the hour before sunset (approximately 5:00–6:30pm depending on season) offers the second-best light. The western-facing locomotive sides are warm-lit. The cemetery sees fewer visitors in the afternoon than in the morning, making it a viable alternative to the dawn visit. Combine: Salar de Uyuni tour during the day → cemetery sunset → dinner in Uyuni.
The Train Cemetery sits at 3,669m in the Uyuni basin — part of the Bolivian altiplano, the second-largest high-altitude plain on Earth after the Tibetan Plateau. The setting is extraordinary: abandoned machinery on a treeless plain with the Andean peaks visible in the distance. The silence, the altitude and the visual emptiness of the altiplano amplify the photographic drama of the rusted locomotives.
Six contexts to understand why there are thirty British locomotives rusting on the Bolivian altiplano.
The Train Cemetery is the standard first stop on the Uyuni salt flat tour — the two are a natural pair. The Salar de Uyuni (10,582 km²) is the world's largest salt flat at 3,656m altitude. The mirror effect (November–March, 2–5cm water depth) creates the most spectacular visual illusion in Bolivia. The full Salar tour (4×4, full day) typically includes: Train Cemetery → Colchani salt village → Salar interior → Incahuasi Island → sunset → Uyuni.
Pulacayo (3,600m, 90km from Uyuni) was Bolivia's most productive silver mine from the 1830s to the 1950s. At its peak in the 1890s, Pulacayo processed more silver ore than any other mine in Bolivia. The mine town is now a ghost town and open-air museum, with original 19th-century processing machinery, the Butch Cassidy connection (Cassidy and Sundance Kid allegedly robbed the Pulacayo mine train in 1908), and the same-era steam equipment as the Uyuni cemetery.
Tunupa (5,321m) is the dormant volcano on the northern shore of the Salar de Uyuni, visible from Uyuni town as the great pyramid above the salt flat. The base village of Tahua has Aymara communities with the legend of Tunupa — the goddess whose tears mixed with her milk created the Salar. Pre-Hispanic mummies have been found in summit caves. The summit gives the most spectacular panoramic view of the full Salar. Accessible as a day trip from Uyuni or part of the 3-day Uyuni-Atacama circuit.
Potosí (4,090m, 160km from Uyuni) is the natural historical companion to the Train Cemetery. The silver mined at Cerro Rico funded the Spanish Empire for 200 years (1545–1825) and the demand for transport infrastructure was the reason the FCAB railway was built. The UNESCO World Heritage city has the Casa de la Moneda (Royal Mint), Baroque churches and working mine tours on Cerro Rico. Combine: Uyuni (2 nights) → Potosí (2 nights) → Sucre (1–2 nights).
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The 5 most common questions about South America's most photogenic railway cemetery.
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